EVAN PARKER, MATTHEW WRIGHT
TRANCE MAP +
CREPUSCULE IN NICKELSDORF
Evan Parker: Soprano Sax
Matthew Wright: Turntable, Live Sampling
Adam Linson: Double Bass, Electronics
John Coxon: Turntable, Electronics
Ashley Wales: Electronics
Recorded July 22, 2017, at Konfrontationen 2017, Nickelsdorf, Austria.
Recording engineer: Hans Holler. Mixed and mastered by Matthew Wright. Cover photo: Caroline Forbes.
Band photos: Žiga Koritnik. Graphic design: Paul Bieri. Liner notes: Bill Shoemaker.
Produced by Evan Parker and Intakt Records, Patrik Landolt, Anja Illmaier, Florian Keller.
Intakt CD 329 / 2019
Listen to two sound examples: Crepuscule in Nickelsdorf. Part 1 / Crepuscule in Nickelsdorf. Part 2
Eine traumartige Aura" umgibt diese Aufnahmen von Evan Parker-Matthew Wright Trance Map+ vom Jazzfestival Nickelsdorf mit dem Titel "Dämmerung in Nickelsdorf". Die Macht der Träume: "Durch das Silikon der Festplatte gefiltert, klingen Vögel und Insekten oft wie elektronisch erzeugt, und einige der synthetisierten, durch Software entwickelten Klänge klingen wie Vögel und Insekten mit eigenen Flügeln", schreibt der amerikanische Jazzjournalist Bill Shoemaker.»
A dream-like aura surrounds these recordings by Evan Parker and Matthew Wright - Trance Map+ from the Jazz Festival Nickelsdorf: Crepuscule in Nickelsdorf. "Filtered through the silicon of the hard drive, birds and insects often sound electronically generated and some of the synthesized sounds, designed in software, sound like birds and insects with wings of their own," writes American journalist Bill Shoemaker. The real seems virtual; the virtual seems real – it is the ambiguity essential to the power of dreams.
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