INTAKT RECORDS – CD-REVIEWS
CHRISTOPH IRNIGER PILGRIM
with STEFAN AEBY, DAVE GISLER, RAFFAELE BOSSARD, MICHI STULZ

CROSSWINDS

Intakt CD 323 / 2019

 

 

Brevario, El Intruso, Nov 18 2018

 

Christof Thurnherr, Jazz'n'More, Jan 2019

 

Jazzhalo Blog, Jan 2019

 

Nate Chinen, www.wbgo.org, Jan 14 2018

 

Matthew Kassel, Downbeat magazine, March 2019

 

Brian Zimmerman, www.jazziz.com, Jan 17 2019

 

Musicampus.de, Jan 18 2019

 

Aldo Del Noce, Jazz Convention, Jan 22 2019

 

Bandcamp Daily, "The Best Jazz on Bandcamp", Jan 2019

 

Kevin Coultas, In on the Corner Blog, February 10 2019

 

Martin Schuster, Concerto Magazine, Feb/Mar 2019

 

www.er-em-online.de, February 6, 2019

 

Rigobert Dittmann, Bad Alchemy, Feb 2019

 

Peter Rüedi, Weltwoche #8, 2019

 

jazzepoes.be, Mar 2019

 

Iwein Van Malderen, jazzhalo.be, March 2019

 

Stefan Pieper, Jazzthetik, Mar/Apr 2019

 

Frank Bergerot, Jazz Magazine, Mar 2019

 

Kimio Oikawa, jazztokyo.org, Mar 2019

 

Jazzaround Mag, Mar 12 2019

 

Ueli Bernays, NZZ, Mar 18 2019

Don Phipps, All About Jazz, Mar 21 2019

 

Xavier Plus, skug.at, Mar 15 2019

 

Hans-Jürgen Schaal, jazzthing.de #128, April 2019

 

Hiroki Sugita , Japan Jazz, April 2019

 

Dr. Frank Lechtenberg, Hifi-Stars Magazine, Mar-Jun 2019

 

Philip Roth, Frankfurter Allgemeine, April 2019

 

Viktor, 60minuten.net, April 7 2019

 

Jean Buzelin, L'Europe ensuite, Culturejazz, France, 12 avril 2019

 

Thomas Trummer, Osterländer Volkszeitung,18. April, 2019

 

freiStil Magazine, Mai 2019

 

Yves Dorison, culturejazz.fr, January 2019

 

Klaus Härtel, Clarino, Juli-August 2019

 

Carlos Snaider, Earshot Jazz Magazine, Aug 2019

 

Franpi Barriaux, Citizen Jazz, 20 Oct 2019

 

What is chamber jazz?

                The emergence of chamber jazz as a genre can be traced to the innovative sextet sides recorded in the mid-1930s by bandleader John Kirby, and to the trio and small-ensemble post-war recordings of Benny Goodman. By the late 1940s, the term 'chamber jazz' was widely used in industry publications such as Billboard magazine, academic journals, and newspaper and magazine reviews of performances by small groups. A distinction was drawn between chamber jazz and big-band swing; these small ensembles played to listening, rather than dancing audiences, and bore a resemblance to classical chamber music groups. The term originated, and was understood, within the musical discourse of the time.

Mark Werlin, All About Jazz, Aug 04 2022 (EN)

 

 

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