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Independent music since 1986.
Independent music since 1986.

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426: THE MAYFIELD. The Mayfield

Intakt Recording #426 / 2024

Willi Bopp: Sound Design
Camille Émaille: Percussion
Gianni Gebbia: Saxophones
Heiner Goebbels: Prepared Grand Piano
Cécile Lartigau: Ondes Martenot
Nicolas Perrin: Guitar, Electronics

Recorded during a residence at La Muse en Circuit, Paris, January 2022 by Willi Bopp.

Original price CHF 12.00 - Original price CHF 30.00
Original price
CHF 30.00
CHF 12.00 - CHF 30.00
Current price CHF 30.00
Format: Compact Disc
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The instrumentalists of The Mayfield have together created the music to the large scale performance Everything that happened and would happen by Heiner Goebbels – a music theatre piece on Europe as a historical and contemporary ‘construction site’. The band is named after the Mayfield Depot, a vast disused railway station in Manchester, in which they rehearsed and created the work. It inspired the aesthetics of the music. The instrumentation is dedicated to a coexistence of acoustic and electronic sources, ranging from percussion, as the earliest and universal source of musical expression, to birdcalls, Saxophones and prepared grand piano and to Ondes Martenot, one of the first electronic instruments. An invented electric guitar added with digital sensors bridges the gap between these different sonic universes. The Mayfield music results in soundscapes between controlled noise and ‘musique concrête instrumentale’. At La Muse en Circuit – the Parisian recording studio designed specifically for electro-acoustic music that Luc Ferrari established in 1982 – the musicians recorded 95 improvised pieces. Willi Bopp, who has worked closely with Goebbels for 35 years, subsequently created a collage of those selections, which were further winnowed and sequenced into the seamless 16-track selection featured on this remarkable album. „The collective’s brand of free improvisation is stunning, a liquid form of electro-acoustic music of uncommon physicality, depth, and dynamics that sounds like little else in the realm of contemporary experimental music“, writes Peter Margasak in the liner notes.

Album Credits

Cover art: René Liebert
Graphic design: Jonas Schoder
Liner notes: Peter Margasak
Photos: Massimo Golfieri, Heinrich Brinkmöller-Becker (C. Émaille)

Music by Willi Bopp, Camille Émaille, Gianni Gebbia, Heiner Goebbels, Cécile Lartigau, Nicolas Perrin. Recorded during a residence at «La Muse en Circuit» Paris, January 2022, by Willi Bopp. Mixed in April and May 2024 by Willi Bopp. Mastered on May 23, 2024, at Control Room Berlin, by Martin Ruch. Cover art: René Liebert. Graphic design: Jonas Schoder. Liner notes: Peter Margasak. Photos: Massimo Golfieri, Heinrich Brinkmöller-Becker (C. Émaille). Produced by The Mayfield and Intakt Records. Published by Intakt Records.

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G
Guido Festinese
Il Manifesto

«Alla fin fine nessuno di noi, al riascolto, è riuscito a capire chi suonasse cosa». Questo lo spirito di un ensemble nato durante la lavorazione, le prove e infine la resa sul palco di un lavoro teatrale multimediale di Heiner Goebbels del 2018. Si sono ritrovati in studio: Willi Bopp a manipolare i suoni, Camille Émaille alle percussioni, Gianni Gebbia ai sax, Goebbels al piano preparato, Cécile Lartigau alle Onde Martenot, Nicolas Perrin alla chitarra preparata e elettronica. Libertà del suono come gioco di squadra, e viceversa.

G
Guido Festinese
Il Manifesto

«Alla fin fine nessuno di noi, al riascolto, è riuscito a capire chi suonasse cosa». Questo lo spirito di un ensemble nato durante la lavorazione, le prove e infine la resa sul palco di un lavoro teatrale multimediale di Heiner Goebbels del 2018. Si sono ritrovati in studio: Willi Bopp a manipolare i suoni, Camille Émaille alle percussioni, Gianni Gebbia ai sax, Goebbels al piano preparato, Cécile Lartigau alle Onde Martenot, Nicolas Perrin alla chitarra preparata e elettronica. Libertà del suono come gioco di squadra, e viceversa.

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