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Independent music since 1986.

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267: FRED FRITH TRIO. Another Day In Fucking Paradise

Intakt Recording #267/ 2016

Fred Frith: Electric Guitar, Voice
Jason Hoopes: Electric Bass, Double Bass
Jordan Glenn: Drums, Percussion

Recorded and mastered at Headless Buddha, Oakland, March 2016.

Original price CHF 12.00 - Original price CHF 30.00
Original price
CHF 30.00
CHF 12.00 - CHF 30.00
Current price CHF 30.00
Format: Compact Disc
More Info

Frith returns to his deep roots in this improvising trio with the classic lineup of guitar, bass and drums. Playful, intimate, and bound together by a dark and delicate interplay, the group reminds us what listening is all about. After a lifetime of experience across almost every field of musical endeavor, Fred stretches out in the company of two stalwarts of the vibrant Bay Area music scene who have their own stories to tell.

Fred Frith writes about his Trio: „When I proposed this trio I had nothing in mind beyond getting together with a couple of formidable musicians who I love and respect and seeing what would happen, which is pretty much the way things go in my world. We played a few gigs many months apart, always had a blast, invited a couple of awesome guests (Lotte Anker and Jessica Lurie) and didn’t think much in conceptual or any other terms. It took playing night after night during our European tour of 2015 or some themes to start emerging. I appeared to be channeling some of my earliest rock and roll experiences – jamming with members of Pink Fairies in 1969, a couple of sad weeks in a band with Syd Barrett, and attending Gong and Pink Floyd concerts where I had the chance to absorb the lessons of Daevid Allen and Dave Gilmour. Earlier my electric guitar heroes hadbeen George Harrison and Pete Townsend, and then – as my horizons broadened – Muddy Waters and Sonny Sharrock. McLaughlin’s playing in Tony Williams’ Lifetime had been a revelation. On tour with the trio these voices all started clamoring for attention, and Jason’s stunning ability to wring every-thing there is to be wrung out of an electric bass was as liberating as Jordan’s playful, irreverent, and absolute authority. Anything can happen. Really. It’s a bloody great feeling. I think this record captures it quite well!»

Album Credits

Cover art: Heike Liss
Graphic design: Jonas Schoder
Photo: Heike Liss

All Music by Fred Frith Trio. Recorded at Sharkbite Studios, Oakland, January 2016. Engineer: Scott Evans. Mixed at Guerrilla Recording and mastered at Headless Buddha, Oakland, March 2016. Engineer: Myles Boisen.
Produced by Fred Frith and Intakt Records, Patrik Landolt.

Customer Reviews

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A
Alessandro Manitto
Musica Jazz

L’eclettico e ineffabile Frith disegna qui una striscia sonora – consigliabile a chi ne segue le gesta da sempre ma anche a chi volesse prendere confidenza con la sua arte – che appare quasi come una sorta di guida all’ascolto dell’ex Henry Cow e di mille altre cose. Emerge in particolare lo spirito degli storici Massacre, dai quali il nuovo trio eredita tensioni ed energia propulsiva. I due partner di Frith si mostrano all’altezza del compito, fornendo adeguato sostegno ritmico, imbastendo trame sottili, o robuste e gagliarde. Ragguardevole è Hoopes, che mostra di aver messo a profitto l’insegnamento di Pastorius con un suono turgido e pastoso al tempo stesso. I tre si trovano a meraviglia e danno luogo a una sequenza sonora che oscilla tra piglio rock, atmosfere astratte, grande coralità, solitarie fughe chitarristiche, senza soluzione di continuità, da viaggi astrali a indagini sulla materia elettroacustica per giungere alla free form integrale. Una nota di merito per il titolo dell’album, che brilla di luce propria con un’espressione mirabilmente in equilibrio tra imprecazione very cool e bestemmia tout court, forse uno scampolo dei borborigmi cui si lascia andare Frith in Poor Folly.
Fucile

https://www.musicajazz.it/fred-frith-another-day-paradise/

A
Ayumi Kagitani
Way Out West, Japan

英国のギタリスト、フレッド・ フリス最新作。彼はインタク トから11枚ものアルバムを 出しています。

// SCRAMBLED //