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Independent music since 1986.
Independent music since 1986.

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268: JIM BLACK TRIO. The Constant

Intakt Recording #268/ 2016

Jim Black: Drums, Composition
Elias Stemeseder: Piano
Thomas Morgan: Bass

Recorded at Water Music, NJ on December 9, 10, 11, 2015.

Original price CHF 12.00 - Original price CHF 30.00
Original price
CHF 30.00
CHF 12.00 - CHF 30.00
Current price CHF 30.00
Format: Compact Disc
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Since the nineties, the drummer and bandleader Jim Black has been one of the most influential figures of progressive jazz. On his Intakt Records debut, Jim Black plays with the acclaimed young pianist Elias Stemeseder and highly in-demand New York bass player Thomas Morgan contemporary jazz with distinctive arrangements, complex rhythms and expressive improvisations.

Hank Shteamer writes in the linernotes: "The Constant, a suitelike collection of 10 new pieces, is a meditation on song – a celebration of plain-spoken melody but also an interrogation of the fragility of musical order. The Constant is a narrative of competing currents. On one hand, there is melody, most prominently a wistful, winding line that appears in opening track “High” and reoccurs throughout the album. As “High” begins, we hear Morgan dreamily plucking out this theme. The drummer, using brushes, adds whispering free-time textures, while the pianist makes his own way toward the motif. But there is also a gentle turbulence at work – a sense of the elusiveness and instability of song."

Album Credits

Cover art: Heike Liss/ Jonas Schoder
Graphic design: Jonas Schoder
Liner notes: Hank Shteamer
Photos: Roberto Cifarelli
Executive producer: Florian Keller

All compositions by Jim Black – Strufa Music (BMI), except “Bill” by Jerome Kern/PG Wodehouse. Session produced, recorded and mixed by Amandine Pras at Water Music, NJ on December 9, 10, 11, 2015. Gabriel Bento, chief studio engineer, Rob Grenoble, studio owner, Christian Pelaez, studio intern & Josh Gomersall, studio intern. Mastered by Alan Silverman, Arf! Productions.

Customer Reviews

Based on 32 reviews
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Luc Bouquet
Impro Jazz Magazine

Dans l'ombre-lumière de Paul Motian s'ouvre The Constant. L'ex-batteur du Bloodcount, entre apesanteur et suspension serre, resserre son jeu et, de fait, évite la copie du maître, mieux lui offre un cousinage subtil. Plus loin, Jim Black variera les intensités, se jouera de quelques facéties jungle (Song H) ou convoquera Bill, la très belle ballade de Jerome Kern. Le plus souvent, il changera de registre, désaxera ses compositions à force de surimpressions et d'effets de miroirs séduisants. Il ne boudera pas la respiration, encore moins la mise en espace. Et on retrouvera ça et là quelques effluves du regretté Alasnoaxis. La flexibilité légendaire de son leader (Low) fera mouche, tout comme la présence remarquable du pianiste Elias Stemeseder et l'autonomie réjouissante du contrebassiste

Thomas Morgan (art des interstices bien choisis, franchise de la phrase). En résumé, une belle hybridation entre jazz, rock, axes méditatifs et montées harmoniques toujours résolues.

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Ayumi Kagitani
Way Out West, Japan

ジム・ブラックといえば、フリ ージャズ界隈で、スガガガ、 ドシャメシャ、バスバスン!と 的確な音色とタイミングでブ ッ込んでくる素晴らしいドラ マーですが、このトリオでは、 巧さはそのまま、フリー的暴れっぷりは封印。トーマス・モーガ ン(b)とエリアス・ステメセーダー (p)という強烈な若手を率い た三作目。オススメです。

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