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224: GÜNTER BABY SOMMER. Dedications

Intakt Recording #224 / 2013

Günter Baby Sommer: Drums, Percussion, Voice


Ursprünglicher Preis CHF 12.00 - Ursprünglicher Preis CHF 30.00
Ursprünglicher Preis
CHF 30.00
CHF 12.00 - CHF 30.00
Aktueller Preis CHF 30.00
Format: Compact Disc
More Info

Günter Baby Sommer auf der Höhe seiner künstlerischen Laufbahn. Nach den «Songs for Kommeno» (Intakt CD190) präsentiert der Architekt des europäischen Jazz-Schlagzeugspiels sein grosses Solowerk. Die neun Stücke der CD erzählen Geschichten, erzeugen Spannung und lassen die Hörer fasziniert eintauchen in die wundersame Welt der Rhythmen. - Röhrenglocken, Hang, Gongs, Xylophon, diverse Klangerzeuger und seine Stimme erweitern das sorgfältig zusammengefügtes Drumset aus Slinger-land, Premier, Beverley, Yamaha, Dresdner Appartebau, den Tom Toms von Thomas Wolf zu einem noch nie gehörten Klangorchester.
Der Dresdner Jazz-Innovator, der das Schlagzeugspiel zusammen mit der Pioniergeneration des Jazz entgrenzt und einen eigenen Sound entwickelt hat, widmet diese CD den grossen Jazzschlagzeugern aus den USA und Europa.
Die Hommagen an Baby Dodds, Philly Joes Jones, Ed Blackwell, Max Roach, Pierre Favre, Han Bennink und Paul Lovens sind Liebeserklärungen. Es erklingt die grosse Welt des Jazz: Swing, Bebop, Drive, Puls - ein atemberaubender Hörgenuss und eine spannende Einführung in die Kunst des Jazzschlagzeugs.

Album Credits

Cover art: Kornelios Grammenos
Graphic design: Jonas Schoder
Photos: Tobias Sommer

All compositions by Günter Baby Sommer. Recorded January 10, 11, 12, 2013, by Kulturradio
vom rbb (Rundfunk Berlin Brandenburg). Mixed and mastered May 13, 14, 2013, by rbb.
Sound engineer: Peter Schladebach. Sound supervisor: Wolfgang Hoff. ProTools-Operator:
Uli Hieber. Technician: Hitoshi Rösner. Mastering: Monika Steffens. Radio producer: Ulf
Drechsel, rbb. Produced and published by Intakt Records, Patrik Landolt.

Customer Reviews

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D
Dustin Mallory
Cadence Magazine

Dedications is a courageous release of solo drumming accompanied by Sommer's creative use of narration and a series of vocal grunts, growls, howls, and other fun vocal embellishments. Each track on the album is dedicated to a giant of jazz drumming and contains the vocabulary/style of the drummer being honored. Sommer's tributes include drummers from both sides of the pond with Dodds, Philly Joe, Blakey, Blackwell, and Roach representing America. On the eastern side of the Atlantic, Sommer also pays respect to Swiss-drummer Pierre Favre and German-drummer Paul Lovens.
The opening track, dedicated to Warren "Baby" Dodds, includes a narration where Sommer reveals Dodds as his primary inspiration and source of his nickname. Sommer includes a section on the woodblocks and his drums have the open, ringing sound that is associated with early jazz drummers. Sommer branches out in some of the recordings to create a "quasi-percussion ensemble." In the recording dedicated to Blakey, Sommer uses an ABA form that begins with timpani, shakers, and a gong that signifies the end of the first section (among other instruments). "A Letter to Paul" even contains a John Cage-esque percussion ensemble sound that includes metallic and glass effects coupled with a haunting vibraphone melody. Overall, the album may surprise some listeners who think it is just an album of drumming. It is not. Although Sommer phrases his lines around the drums very nicely, it's his conceptual palette of percussive orchestration that makes this album worthwhile.

https://nebula.wsimg.com/d1cf5113187d84187f12efb20e56ca07?AccessKeyId=972E417EFD7ED6ED057A&disposition=0&alloworigin=1

J
Jörg Konrad
KultKomplott Blog

http://www.kultkomplott.de/Artikel/Musik/#article_anchor_429

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