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250: SCHLIPPENBACH TRIO. Features

Intakt Recording #250/ 2015

Alexander von Schlippenbach: Piano
Evan Parker: Saxophones
Paul Lovens: Drums


Ursprünglicher Preis CHF 12.00 - Ursprünglicher Preis CHF 30.00
Ursprünglicher Preis
CHF 30.00
CHF 12.00 - CHF 30.00
Aktueller Preis CHF 30.00
Format: Compact Disc
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FEATURES - Charakterzüge, Wesensmerkmale, Eigentümlichkeiten. In besonderem Masse offenbaren diese Aufnahmen die Grundcharakteristika und zugleich auch die Vielgestaltigkeit der Musik des Schlippenbach Trios. Nennen wir es also ein «vorläufiges Resümee» oder eine Zwischenbilanz. Auf jeden Fall wird hier etwas ausgebreitet vom Facettenreichtum der erspielten Möglichkeiten - mit Besonnenheit, Verve, Reife und Weisheit.

DIE DARSTELLER: Drei Musiker, die seit rund fünfundvierzig (!) Jahren in dieser Trio-Konstellation zusammenarbeiten, dabei beständig bestrebt, im Prozess spontanen Spiels etwas zu entwickeln, das als wert und wichtig wahrgenommen werden kann und trotz seiner flüchtigen Existenz «gültige» Qualität besitzt.

DAS SPEKTRUM der Aufnahmen entfaltet sich zwischen Furor und Elegie. Es reicht von energetischen, vorwärtsdrängenden Stücken über ruhig-gelassen daherkommende Passagen und balladeske Stimmungen bis zum Versinken im Klang, in der Stille.

DIE MAGISCHE CHEMIE DES TRIOS beruht auf der langen Zusammenarbeit, dem intuitiven, augenblicklich reaktionsschnellen aufeinander Hören und Interagieren wie auch auf der Entsprechung, der sich gegenseitig ergänzenden und herausfordernden Charaktere - ein Glücksfall. Alexander von Schlippenbach spricht gern vom «Impetus des Musizierens». Impetus meint Antrieb, Anstoss, Ungestüm, Schwung, Temperament. Die Devise lautet: nicht stillstehen, weiter an der Musik feilen, an ihren feinen Details arbeiten, an ihrem Fluss, ihrer inneren Kraft, auf dass sich grösste Begeisterung und grösste Klarheit einstellen.
(aus den Linernotes von Bert Noglik)

Album Credits

Graphic design: Jonas Schoder
Photo: Caroline Forbes
Liner notes: Bert Noglik

Music by Alexander von Schlippenbach, Evan Parker and Paul Lovens. Recorded Dec. 11, 12, 2013 by Martin Pearson for Radio SRF and Intakt Records at Radiostudio Zürich. Mixed and mastered by Martin Pearson. Produced by Intakt Records, Patrik Landolt

Customer Reviews

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J
Jason Bivins
Cadence Magazine

It's been quite a while since this fabled trio has Irecorded a program of such concise pieces. For Intakt's 250th release, this brilliant series of miniatures celebrates both the range of these musicians (with over four decades' playing experience) and, quite frankly, of freely improvised music. The trio has a considerable vocabulary, in terms of setting, form, and technique, and it's all on display here. After the gorgeous opener, a Feldman-like piece for solo Schlippenbach, they make their way through these distillations with clarity and sensitivity. In a darkly ponderous lower register on "Feature 2," Parker elaborates simple themes and variations, wending through Schlippenbach's billowing shapes and the woody floriculture of Lovens' kit. Each piece has this kind of balance of elements and instinct for form, and across the hour there's quite a variety of settings: squeaks and jabs capped off by rapidfire notes, interstellar Tristano, crystal temples and stark dissonance, frothy free jazz and abstract textural studies. Certain pieces, like "Feature 13" conjure up specific imagery, here a ticking clock in mutant minuet, while others follow some strange unison, as with the tense wind-up and wind-down of "Feature 14" with each player going in different directions, or the abstract balladry of "Feature 7." While the aggregate is marked by a sense of understatement that accentuates the structure and logic of these incisions, the impression of the record as a whole is as if they've taken one of their marathon pieces, mapping it out and isolating its fast-moving changes, making of each element a discrete piece. Satisfying, and recommended in every way.

E
Edwin Pouncey
Jazzwise Magazine

The trio of Schlippenbach, Parker and Lovens has been a working unit (albeit intermittently) for the past 45 years, a relationship that has seen them constantly exploring their collective sound and the spaces where they choose to play together. Made up of 15 'Features' (hence the title of the album), these studio recordings alternate between calm and turbulence, meditation and mania. Akin to strolling through a white walled sonic modern art gallery, your ear is occasionally drawn to a particularly vivid piece of playing ('Feature 6') or encouraged towards a more playful train of thought ('Feature 8') as Lovens makes gun shot cracks emit from his kit, while Schlippenbach and Parker lose themselves in some intricate Coltrane inspired interplay. The musical chemistry at work here remains refreshingly volatile, producing enough shimmering gusts of free jazz action to send an icicled thrill down even the most seasoned listener's spine. Don't be put off by the somewhat glum expressions of the trio in the accompanying booklet photo, there is much here to be glad about.

Reviews in Other Languages

R
Rosarita Crisaft
All About Jazz Blog

Una formazione leggendaria e portabandiera della via europea del jazz: il trio del pianista Alexander von Schlippenbach assieme a Evan Parker e Paul Lovens. Dopo più di quattro decenni continuano a stupire per la loro freschezza musicale. In Warsaw Concert si ascolta una lunga suite di 51 minuti, registrata dal vivo a Varsavia il 16 ottobre 2015, più una breve coda: l'eccezionale documento sonoro che fotografa lo stato dell'arte del trio negli anni 10.

Nulla è stato deciso prima del concerto, come riportano le note di copertina del CD. Si scorre lungo un flusso improvvisativo ricco di invenzioni. Il risultato è una composizione istantanea in cui si stratificano e si avvicendano melodie liriche, contrasti ritmici, momenti di densità virtuosistica o aree sonore più rarefatte in uno spettro coloristico assai ampio che esplora ogni registro e diversi timbri sui singoli strumenti.

Un oceano ricco di suggestioni in cui si riconoscono all'orizzonte i temi di "Miss Ann" e "Out of There" di Eric Dolpy e "Marcia di Saturno" dello stesso von Schlippenbach, immersi nel perfetto interplay del trio dal suono inconfondibile. Prova magistrale per questo ensemble di fuoriclasse che ha tutte le caratteristiche per poter diventare un nuovo classico dell'avanguardia.

https://www.allaboutjazz.com/warsaw-concert-alexander-von-schlippenbach-trio-intakt-records-review-by-rosarita-crisafi

J
Jean Buzelin
Cultur Jazz Magazine

Le Schlippenbach Trio est un groupe de briscards de la free music, le pianiste et ses compères Evan Parker (ténor sax) et Paul Lovens (batterie) jouent ensemble depuis 45 ans ! Mais les uns comme les autres ont évolué et pris du recul ; ce n'est plus le free dévastateur des années 70, et leurs quinze pièces directement improvisées sont à la fois très différentes et parfaitement cohérentes. On appréciera particulièrement le jeu lyrique et "coltranien" de Parker. Trois géants : « Features »

http://www.culturejazz.fr/spip.php?article285

G
Guido Festinese
Il Manifesto

Resistenze radicali

Anelli di resistenza al luogo comune mai concilianti, prendere o lasciare. Cosi si potrebbero definire le uscite dell'etichetta svizzera Intakt, che continua a documentare su cd istanze radicali del jazz europeo, non disdegnando di gettare un orecchio anche oltre oceano, dove il free jazz è ben più vivo di quanto vorrebbero farci credere. Di sicuro Alexander von Schlippenbach al pianoforte, Evan Parker al sax tenore e Paul Lovens alla batteria usata come set percussivo a tutto campo, la banalità la sfuggono come la peste. Nel set documentato su Features non aspettatevi solo torridi e incendiari muri di suono improvvisato, ma anche giochi di incastri col silenzio di gran gusto, quasi uno scheggiato percorso melodico. Un altro pianoforte assai radicale, quello della giapponese Aki Takase incontra il violino eccellente di Ayumi Paul in Hotel Zauberberg, sorta di tributo per pannelli musicali diversi allo scrittore Thomas Mann. Curiosamente tornano gli alberghi in un altro bel titolo Intakt: Hotel Grief del batterista Tom Rainey, dal vivo con Ingrid Laubrock ai sax e Mary Halvorson alla chitarra.

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