It’s hard to argue with the press release “a mesmerizing solo debut! A contagious exuberance of playing, energetic explosive improvisations, and an openness to jazz tradition and experimentation combine on this album to create an impressive musical statement. “Almost everything he plays affirms his history and culture as a first- generation American, the son of a Panamanian mother and a Dominican father. Growing up in the Bronx and in Queens during hip hop’s first years – the first jazz he heard were samples – hearing salsa and merengue at home, attending Latino evangelical churches, and – yes – studying classical music at the Harlem School of the Arts shaped Marcelo’s identification as an African Latino with an inclusive sensibility. Once artists establish a strong identity, they can draw outside the lines, smudge them, even erase them, without diluting or diminishing that identity. That is what Alexis Marcelo has done with Solo Piano”, writes Bill Shoemaker in the liner notes.
‘Boogieminish Bop’ is a fun opener, a unique take on a tired genre. I particularly liked ‘Amargado’ with its false ending, combining flamboyance with deftness of touch. The rippling notes of the gospel ballad ‘Break Bread’ up and down the length of the keyboard is typical of Marcelo’s approach. All the material is original apart from the dramatic ‘A Saca Comote’ by Caitro Soto, the Peruvian composer on which Marcelo shows tremendous dexterity and a playful ‘Eronel’ by Thelonius Monk. A sustained chord begins ‘Chroma’ with sparse choppy chords to follow, quite unsettling experience at first; the music is as much about the spaces in between as the actual chords and notes. ‘Dance Around the Sun’ is on a kind of loop, an orbital expression of the subject matter perhaps, a clever construction becoming increasingly frenzied, getting too close to the sun perhaps? ‘Drifting’ accommodates some vamping. Alexis Marcelo is not only technically gifted but varied stylistically as well as innovatory in a most impressive display of virtuosity and imagination.