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Independent music since 1986.
Independent music since 1986.

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250: SCHLIPPENBACH TRIO. Features

Intakt Recording #250/ 2015

Alexander von Schlippenbach: Piano
Evan Parker: Saxophones
Paul Lovens: Drums

Recorded December 11, 12, 2013, by Martin Pearson for Radio SRF and Intakt Records at Radiostudio Zürich.

Original price CHF 12.00 - Original price CHF 30.00
Original price
CHF 30.00
CHF 12.00 - CHF 30.00
Current price CHF 30.00
Format: Compact Disc
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Features – characteristics, qualities, peculiarities. The title of this album was chosen with care. These recordings reveal both the fundamental nature and the diversity of this trio. Let’s call it a ‘preliminary résumé’ then, or an ‘interim report’. At any rate the range of musical expression the trio have achieved so far is demonstrated here – with poise, verve, maturity and wisdom.

What it features: a fully evolved language of sonic and rhythmic forms continually refined over the years in shared process of improvisation; its finest details are illuminated here.

The performers: three musicians who have worked together as a trio for around forty-five (!) years, constantly striving via the process of spontaneous playing to develop something which will be perceived as essential and important, possessing a ‘valid’ quality despite its transient existence.

The spectrum of the recordings ranges from furore to elegy. It extends from energetic, forward-thrusting pieces via cool, calm, ambling passages and ballad moods to submersion in sound, in silence.

The trio’s magic chemistry is founded on years of working together, both on intuitive listening and interaction – the ability to respond in an instant – andon the match between their characters, each adding to the whole as well as challenging each other – a stroke of fortune. Alexander von Schlippenbach likes to talk about the ‘impetus of music making’. Impetus means drive, initiative, force, momentum, temperament. Three ‘travelling fellows’ on a Winterreise. The motto is: never stay still, keep refining the music, working on the details, the current, the inner strength, so that the result is the greatest joy and clarity possible.
(excerpt from the linernotes by Bert Noglik)

Album Credits

Graphic design: Jonas Schoder
Photo: Caroline Forbes
Liner notes: Bert Noglik

Music by Alexander von Schlippenbach, Evan Parker and Paul Lovens. Recorded Dec. 11, 12, 2013 by Martin Pearson for Radio SRF and Intakt Records at Radiostudio Zürich. Mixed and mastered by Martin Pearson. Produced by Intakt Records, Patrik Landolt

Customer Reviews

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J
Jason Bivins
Cadence Magazine

It's been quite a while since this fabled trio has Irecorded a program of such concise pieces. For Intakt's 250th release, this brilliant series of miniatures celebrates both the range of these musicians (with over four decades' playing experience) and, quite frankly, of freely improvised music. The trio has a considerable vocabulary, in terms of setting, form, and technique, and it's all on display here. After the gorgeous opener, a Feldman-like piece for solo Schlippenbach, they make their way through these distillations with clarity and sensitivity. In a darkly ponderous lower register on "Feature 2," Parker elaborates simple themes and variations, wending through Schlippenbach's billowing shapes and the woody floriculture of Lovens' kit. Each piece has this kind of balance of elements and instinct for form, and across the hour there's quite a variety of settings: squeaks and jabs capped off by rapidfire notes, interstellar Tristano, crystal temples and stark dissonance, frothy free jazz and abstract textural studies. Certain pieces, like "Feature 13" conjure up specific imagery, here a ticking clock in mutant minuet, while others follow some strange unison, as with the tense wind-up and wind-down of "Feature 14" with each player going in different directions, or the abstract balladry of "Feature 7." While the aggregate is marked by a sense of understatement that accentuates the structure and logic of these incisions, the impression of the record as a whole is as if they've taken one of their marathon pieces, mapping it out and isolating its fast-moving changes, making of each element a discrete piece. Satisfying, and recommended in every way.

E
Edwin Pouncey
Jazzwise Magazine

The trio of Schlippenbach, Parker and Lovens has been a working unit (albeit intermittently) for the past 45 years, a relationship that has seen them constantly exploring their collective sound and the spaces where they choose to play together. Made up of 15 'Features' (hence the title of the album), these studio recordings alternate between calm and turbulence, meditation and mania. Akin to strolling through a white walled sonic modern art gallery, your ear is occasionally drawn to a particularly vivid piece of playing ('Feature 6') or encouraged towards a more playful train of thought ('Feature 8') as Lovens makes gun shot cracks emit from his kit, while Schlippenbach and Parker lose themselves in some intricate Coltrane inspired interplay. The musical chemistry at work here remains refreshingly volatile, producing enough shimmering gusts of free jazz action to send an icicled thrill down even the most seasoned listener's spine. Don't be put off by the somewhat glum expressions of the trio in the accompanying booklet photo, there is much here to be glad about.

Reviews in Other Languages

R
Rosarita Crisaft
All About Jazz Blog

Una formazione leggendaria e portabandiera della via europea del jazz: il trio del pianista Alexander von Schlippenbach assieme a Evan Parker e Paul Lovens. Dopo più di quattro decenni continuano a stupire per la loro freschezza musicale. In Warsaw Concert si ascolta una lunga suite di 51 minuti, registrata dal vivo a Varsavia il 16 ottobre 2015, più una breve coda: l'eccezionale documento sonoro che fotografa lo stato dell'arte del trio negli anni 10.

Nulla è stato deciso prima del concerto, come riportano le note di copertina del CD. Si scorre lungo un flusso improvvisativo ricco di invenzioni. Il risultato è una composizione istantanea in cui si stratificano e si avvicendano melodie liriche, contrasti ritmici, momenti di densità virtuosistica o aree sonore più rarefatte in uno spettro coloristico assai ampio che esplora ogni registro e diversi timbri sui singoli strumenti.

Un oceano ricco di suggestioni in cui si riconoscono all'orizzonte i temi di "Miss Ann" e "Out of There" di Eric Dolpy e "Marcia di Saturno" dello stesso von Schlippenbach, immersi nel perfetto interplay del trio dal suono inconfondibile. Prova magistrale per questo ensemble di fuoriclasse che ha tutte le caratteristiche per poter diventare un nuovo classico dell'avanguardia.

https://www.allaboutjazz.com/warsaw-concert-alexander-von-schlippenbach-trio-intakt-records-review-by-rosarita-crisafi

J
Jean Buzelin
Cultur Jazz Magazine

Le Schlippenbach Trio est un groupe de briscards de la free music, le pianiste et ses compères Evan Parker (ténor sax) et Paul Lovens (batterie) jouent ensemble depuis 45 ans ! Mais les uns comme les autres ont évolué et pris du recul ; ce n'est plus le free dévastateur des années 70, et leurs quinze pièces directement improvisées sont à la fois très différentes et parfaitement cohérentes. On appréciera particulièrement le jeu lyrique et "coltranien" de Parker. Trois géants : « Features »

http://www.culturejazz.fr/spip.php?article285

G
Guido Festinese
Il Manifesto

Resistenze radicali

Anelli di resistenza al luogo comune mai concilianti, prendere o lasciare. Cosi si potrebbero definire le uscite dell'etichetta svizzera Intakt, che continua a documentare su cd istanze radicali del jazz europeo, non disdegnando di gettare un orecchio anche oltre oceano, dove il free jazz è ben più vivo di quanto vorrebbero farci credere. Di sicuro Alexander von Schlippenbach al pianoforte, Evan Parker al sax tenore e Paul Lovens alla batteria usata come set percussivo a tutto campo, la banalità la sfuggono come la peste. Nel set documentato su Features non aspettatevi solo torridi e incendiari muri di suono improvvisato, ma anche giochi di incastri col silenzio di gran gusto, quasi uno scheggiato percorso melodico. Un altro pianoforte assai radicale, quello della giapponese Aki Takase incontra il violino eccellente di Ayumi Paul in Hotel Zauberberg, sorta di tributo per pannelli musicali diversi allo scrittore Thomas Mann. Curiosamente tornano gli alberghi in un altro bel titolo Intakt: Hotel Grief del batterista Tom Rainey, dal vivo con Ingrid Laubrock ai sax e Mary Halvorson alla chitarra.

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